Everything about Max Steiner totally explained
» This article is about the film composer. For other persons with the same name, see Max Steiner.
Max Steiner (
May 10,
1888 -
December 28,
1971) was an
Academy Award-winning
Austrian-
American composer of music for
theatre productions and
films. He probably is known best for the
score he composed for the classic
Gone With the Wind.
Steiner was born Maximilian Raoul Walter Steiner in
Vienna,
Austria-Hungary. His paternal grandfather was
Maximilian Steiner (1830-1880), the influential manager of Vienna's
Theater an der Wien; his father was Gabor Steiner (1858-1944), Viennese
impresario and carnival and exposition manager, responsible for the
Ferris wheel in the
Prater that would become the setting for a key scene of the film
The Third Man (1949); his godfather was the composer
Richard Strauss. A child prodigy in composing, Steiner received piano instruction from
Johannes Brahms and, at the age of sixteen, enrolled at the
Imperial Academy of Music (now known as the University of Music and Performing Arts), where he was taught by
Gustav Mahler among others. His musical aptitudes enabled him to complete the school's four-year program in only two.
At the age of 16 Steiner wrote and conducted the
operetta The Beautiful Greek Girl. At the start of
World War I, he was working in London and was classified as an enemy alien but was befriended by the Duke of Westminster and given exit papers. He arrived in
New York City in December 1914 with $32 to his name.
Steiner worked in New York for eleven years as a
musical director,
arranger,
orchestrator, and
conductor of
Broadway operettas and
musicals written by
Victor Herbert,
Jerome Kern,
Vincent Youmans, and
George Gershwin, among others. His credits included
George White's Scandals (1922),
Lady, Be Good (1924), and
Rosalie (1928).
In 1929, Steiner went to Hollywood to orchestrate the European film version of the
Florenz Ziegfield show
Rio Rita for
RKO. The score for
King Kong (1933) made Steiner's reputation; it was one of the first American films to have an extensive musical score. He conducted the scores for several
Fred Astaire-
Ginger Rogers musicals, including
Top Hat (1935) and
Roberta (1935).
Steiner scored hundreds of Hollywood films, and was the most prominent composer in the music department at
Warner Bros., where he wrote the famous fanfare that introduced most of the studio's films from 1937 through the early 1950s. Steiner continued to score Warner films until the mid 1960s; he usually worked with orchestrator Murray Cutter. His final original film score was the 1965 film
Two on a Guillotine. He also wrote music for several of the television series produced by Warner Brothers.
In 1954,
RCA Victor asked Steiner to prepare and conduct an orchestral suite of music from
Gone with the Wind for a special LP, which was later issued on CD.
Max Steiner received 26 Academy Award nominations for his work and won three Oscars, for
The Informer (1935),
Now, Voyager (1942), and
Since You Went Away (1944).
Steiner died of congestive heart failure in Hollywood. He is entombed in the Great Mausoleum at
Forest Lawn Memorial Park Cemetery in
Glendale, California.
After his death,
Charles Gerhardt conducted the
National Philharmonic Orchestra in an
RCA Victor album of highlights from Steiner's career, titled
Now Voyager. Additional selections of Steiner scores were included on other RCA classic film albums during the early 1970s. The
quadraphonic recordings were later digitally remastered for
Dolby surround sound and released on CD.
In 1995, Steiner was inducted posthumously into the
Songwriters Hall of Fame. He has a star located at 1551 Vine Street on the
Walk of Fame for his contribution to motion pictures.
Additional filmography
- Cimarron (1931)
- A Bill of Divorcement (1932)
- Christopher Strong (1933)
- Rafter Romance (1933)
- The Little Minister (1934)
- The Gay Divorcee (Academy Award nomination, 1934)
- The Lost Patrol (Academy Award nomination, 1934)
- The Garden of Allah (Academy Award nomination, 1936)
- The Charge of the Light Brigade (1936)
- A Star Is Born (1937)
- That Certain Woman (1937)
- The Life of Emile Zola (1937)
- Jezebel (Academy Award nomination, 1938)
- Angels with Dirty Faces (1938)
- The Adventures of Tom Sawyer (1938)
- Confessions of a Nazi Spy (1939)
- Dark Victory (Academy Award nomination, 1939)
- Gone with the Wind (Academy Award nomination, 1939)
- The Letter (Academy Award nomination, 1940)
- Santa Fe Trail (1940)
- Shining Victory (1941)
- They Died with Their Boots On (1941)
- Sergeant York (Academy Award nomination, 1941)
- Casablanca (Academy Award nomination, 1942)
- The Adventures of Mark Twain (Academy Award nomination, 1944)
- Mildred Pierce (1945)
- Rhapsody in Blue (Academy Award nomination, shared with Ray Heindorf, 1945)
- The Big Sleep (1946)
- Night and Day (Academy Award nomination, shared with Ray Heindorf, 1946)
- Life with Father (Academy Award nomination, 1947)
- My Wild Irish Rose (Academy Award nomination, shared with Ray Heindorf, 1947)
- The Treasure of the Sierra Madre (1948)
- Winter Meeting (1948)
- Johnny Belinda (Academy Award nomination, 1948)
- Beyond the Forest (Academy Award nomination, 1949)
- The Fountainhead (1949)
- The Flame and the Arrow (Academy Award nomination, 1950)
- The Glass Menagerie (1950)
- The Miracle of Our Lady of Fatima (Academy Award nomination, 1952)
- This is Cinerama (Uncredited music, with Paul Sawtell and Roy Webb)
- The Jazz Singer (Academy Award nomination, shared with Ray Heindorf, 1953)
- The Charge at Feather River
- The Caine Mutiny (Academy Award nomination, 1954)
- Battle Cry (Academy Award nomination, 1955)
- The Searchers (1956)
- Band of Angels (1957)
- A Summer Place (1959)
- The FBI Story (1959)
- The Dark at the Top of the Stairs (1960)
- Parrish (1961)
- Spencer's Mountain (1963)
- Youngblood Hawke (1964)
- A Distant Trumpet (1964)
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